Agenda: Race Mixing and Open Society

We intend to turn Europe into a mixed race of Asians and Negros ruled over by the Jews. Count Kalergi-Coudenhove, 1925

RACE BLOOD MIXING, EVEN ASSOCIATING WITH OTHER RACES WILL LEAD TO RACE BLOOD MIXING, AND THAT WILL BE THE ANNIHILATION OF THE WHITE RACE. AND EXACTLY THIS, THE JEWS HAVE PLANNED FOR US.

The Jewish people as a whole will become its own Messiah.  It will attain world domination by the dissolution of other races, by the abolition of frontiers, the annihilation of monarchy and by the establishment of a world republic in which the Jews will everywhere exercise the privilege of citizenship. In this New World Order, the children of Israel will furnish all the leaders without encountering opposition.  The Governments of the different peoples forming the world republic will fall without difficulty into the hands of the Jews.  It will then be possible for the Jewish rulers to abolish private property and everywhere to make use of the resources of the state. Thus will the promise of the Talmud be fulfilled, in which it is said that when the Messianic time is come, the Jews will have all the property of the whole world in their hands. Baruch Levy, Letter to Karl Marx, printed in La Revue de Paris, p. 574, June 1, 1928

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JEW BEHIND CURTAIN

Cosmopolitan Propaganda of the Jews

by Hervé Ryssen

There are different ways to “pacify” men and nations. Carpet bombing, or Soviet totalitarianism, is one way. But “liberal democracy” and the “consumer society” work much better.

The Advocacy of Race-Mixing and the “Open Society”

Jews have always encouraged immigration into all the countries in which they have ever settled, not just because a multicultural society corresponds to their politico-religious plans, but also because the resulting dissolution of national identity protects them from any “nationalistic” upheavals. All Jewish intellectuals – absolutely without exception – are focused on this question of the “plural” society and are obsessed with ceaseless “anti-racist vigilance”, regardless of any other political differences. Immigration from the Third World is thus presented as “an economic necessity”, an “indispensable contribution”, an “extraordinary enrichment”, etc.

Jewish intellectuals exhibit a certain characteristic inclination towards enormous untruths. They will tell you, for example, that immigration hasn’t really increased at all; on the contrary, it has never been so low! This inclination to treat the goyim like a load of simple- minded fools is called “chutzpah” (pronounced with a German-style guttural “r”). The demographer Gerard Noiriel, the essayist Guy Sorman, the sociologist Edgar Morin (Nahoum), the philosopher Alain Finkelkraut and diplomat Stephane Hessel, for example, became famous for these little exercises.

To the general public, this unceasing, indefatigable, planetary propaganda is most obvious in film production. All Jewish film producers have released at least one or more films advocating race- mixing and the “multicultural society”. Just watch the films by Claude Longmann, known as “Berri” (One Stays, The Other Leaves); Matthieu Kassovitz (Café au lait, White Nightmare); Claude Lelouch (Itinerary of a Spoilt Child; Smic Smac Smoc), Francois Luciani (The Man Who Came from Somewhere Else) Edouard Molinaro (The Hearts of Men), Gerard Oury – at the end of The Adventures of Rabbi Jacob, the Arab Slimane, naturally, marries Pivert’s daughter – Robert Guédignan (Where the Heart Is). Guédignan also produced Marius and Jeanette, in which the main character, Jeanette, lives alone in Marseilles with her two children, fathered by two different men. The older daughter has been duped by a cad who deserted her – a white man (naturally) – while her 12-year old is an African half-caste who “works very well at school”, etc.

Renaud Cohen is a small-time producer, but his film Once We Grow Up (2001) is rather eloquent: the main character, Simon Dadoun, is a thirty-year old Jewish journalist. He breaks up with his girl friend (a goy) and meets a Sephardic Jewess, like himself. The French, by contrast, are depicted as much inclined towards race-mixing: Both of Simon Dadoun’s friends, in fact, are interracially married: one to an Asian, the other to a Senegalese. The same film also defends lesbianism – again – in a highly “multicultural” context.

Or just watch the films by Bernard Stora (Another Life), Giles Pacquet-Brenner (Gomez and Tavares), Daniel Vignes (Fatou from Mali), Dominique Baron (The Tress of Aminata), Cedric Kahn (Too Much Happiness), Nicolas Ribowski (Perigord Noir), etc. In The Enchanted Parentheses (1999), by Michael Spinosa, the French are once again depicted as fated to mate with Blacks and Orientals. The producer also depicts adultery, Marxism, feminism, etc., with great indulgence.

American” Jewish film producers are obsessed with these same things as well. You really must see films like Roland Emmerich’s (The Day After Tomorrow, 2004), or Marc Forster’s (Monster’s Ball). In Love Field (1993), Jonathan Kaplan tells the story of a beautiful blonde who leaves her idiot of a husband and falls in love with a Black.

In Guess Who’s Coming to Dinner (1967), a young beauty introduces her husband to her parents. Her husband is a Black, likeable, cultured, intelligent. His natural charm and niceness overcome the instinctive and vicious mistrust of her bourgeois white parents. The film, by Stanley Kramer, naturally won ten Oscar nominations.

You can go much further back than that if you wish: West Side Story, by Robert Wise (1961), is a musical propaganda film in favour of the “multicultural society”. In 1950, No Way Out told the story of a black intern in a hospital. It was a plea against “racism” by Joseph Mankiewicz.

Today, early in the 21st century, this propaganda is becoming even more extreme. The television series “Life’s So Sweet” shows young white women mating with Blacks, while young white men are depicted as homosexuals.

All the screen plays for the films listed above were written by Olivier Schulzinger; in fact, any time you see a white woman paired off with a Negro on the screen, you can be very sure that you’re watching something produced by the “Chosen Ones”. As we can easily see, the Jews are totally obsessed with race-mixing and ethnic mixing; but one must, of course, bear in mind that this “line of goods” is intended for “export only”.

Above is an excerpt from: Understanding Jews and Anti Semitism

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